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Home > Copyright > Seeking Permission from Collecting Societies To Use

Seeking Permission from Collecting Societies To Use

If you, your business or your organisation uses material that is protected by copyright administered by a collecting society, this section provides general information on the "why"s and "how"s to obtain authorisation for the use of such material.

  1. What are collecting societies and what do they do?
  2. What rights are administered by collecting societies in Singapore?
  3. How do I know when I need to get a licence to use copyright works?
  4. When is a licence not required?
  5. How do I obtain a licence to use the works?
  6. Why do I sometimes have to approach more than one collecting society?
  7. How much would this cost?
  8. What information do I need to provide to obtain a licence?
  9. How long would it take to get a licence?
  10. What do collecting societies do with the money collected?
  11. Why should I respect copyright?
  12. I want to respect copyright, and ensure that the creators get their due returns. But I am concerned with the rates and terms & conditions proposed. What can I do?
Note: The information provided here is meant only as a guide and does not amount to legal advice. Please seek independent professional advice before acting on any matter contained herein.



  1. What are collecting societies and what do they do?

    A collecting society is formed or appointed by copyright holders to manage the rights in their copyright works. Collecting societies administer the licensing of rights, collection of royalties and enforcement of rights on behalf of the copyright holders. Although not all copyright holders are members of collecting societies, in some instances, these organisations form the main contact points between copyright holders and users. For further information, please refer to the questions and answers below on collecting societies in Singapore.


  2. What rights are administered by collecting societies in Singapore?

    In Singapore, there are currently five collecting societies administering different rights to copyright works:

    Public Performance Rights for a Musical Work
    The Composers and Authors Society of Singapore (COMPASS) administers the public performance rights in music scores and lyrics for songwriters and lyricists. Public performance means the playing or use of music in a public place such as in a shopping centre, a restaurant, lounge, gym or in a concert hall...etc.

    Public Performance Rights for a Music Video
    Recording Industry Performance Singapore Pte Ltd (RIPS) administers the public performance rights of the music videos and karaoke videos owned or controlled by the record companies represented by RIPS.

    Rights (other than Public Performance) for a Musical Work
    Music Publishers (Singapore) Ltd (MPS) is an association of music publishing companies in Singapore. There are currently 12 companies in the association. These companies collectively control a number of rights to musical works in Singapore. With the exception of public performance rights (which are administrated by COMPASS), all other rights are under the administration and/or ownership of MPS members. This means for example, for reproduction of music compositions, you will need to contact MPS members.

    To find out which music publisher administers and/or owns the rights to a work, you could write to MPS at info@mps.org.sg. Your email query will reach all of MPS twelve publisher members who will revert to you whether the song in question is under their copyright administration and/or ownership. It is advisable to give as much information as you can, such as the title of the song, composer/lyricists, usage details, so that a quotation of the copyright fee can be established [MPS FAQ].

    Although The Composers and Authors Society of Singapore (COMPASS) administers music performing rights, COMPASS also administers the rights of reproduction and adaptation of musical works of some Singapore-based music publishers. You can approach COMPASS if you need to copy or adapt the lyrics or music score of selected local musical works.

    To find out whether MPS or COMPASS administers the rights to a work, you should write/email to the representative of MPS [info@mps.org.sg] and COMPASS. It is advisable to give as much information as you can about the title of the song, composer, lyricist, the music publisher, record company etc.

    Reproduction Rights for Sound Recordings found in a CD, Record and Karaoke/Music Videos Recorded in Video/LD/VCD/DVD
    Recording Industry Performance Singapore Pte Ltd (RIPS) represents record companies which own the copyright to sound recordings recorded in a CD or a record and karaoke/music videos recorded in video/LD/VCD/DVD. RIPS provides licences for the reproduction of sound recordings and public performances of karaoke/music/music videos.

    Reproduction rights for karaoke and music videos
    InnoForm Entertainment Pte Ltd administers the reproduction rights of karaoke and music videos on behalf of major record companies. Members of the public or businesses who wish to make reproductions and/or store karaoke and/or music videos on servers should obtain an appropriate licence from InnoForm Entertainment Pte Ltd before proceeding with any such act.

    Reproduction rights for literary works
    The Copyright Licensing and Administration Society of Singapore Ltd (CLASS) administers the reproduction right of published literary works such as books, magazines, journals etc on behalf of authors and publishers. CLASS provides licences to allow photocopying of these works.


  3. How do I know when I need to get a licence to use copyright works?

    Generally, a user would have to obtain a license for the use of a work if:
    • the Work enjoys copyright protection;
    • the term of copyright protection has not expired; and
    • the use of the work does not fall within the fair dealing exceptions.
    To find out more about copyright protection, please see About Copyright, Ownership & Rights and Exceptions to Copyright Infringement.

    For businesses and organisations, copyright works can be used in many different ways. For example, a lounge can have live performances by bands; radio stations will broadcast songs over the air; advertising companies may adapt well-known pictures and songs for their advertisements; conference speakers may circulate interesting articles to the participants and so on.

    The following provides a non-exhaustive list of examples of some common scenarios where copyright protected works are used and when you may need a licence for such uses:

    Scenario 1: If you play music in public:
    As part of your business, you may provide entertainment in the form of music. This includes night spots, karaoke, restaurants, discotheques, lounges and so on. Or your business plays background music e.g. hotels, factories, skating rinks, hairdressing salons, fitness and shopping centres, or you provide telephone music on-hold facilities. All these activities constitute public performances of musical works.

    Enquire with COMPASS on the need for and terms of a licence for such uses of music (excluding the use of music videos and private re-mixing, which need other licences. See other scenarios below).

    Scenario 2: If you reproduce copyright works:
    Your business may make copies (physical or digital) of copyright works. For example, the use of mobile phone ringtones, the photocopying of books, copying of photographs, photos and drawings and so on. All these concern the reproduction right of copyright works. To make a copy of a musical work, enquire with MPS [info@mps.org.sg] and COMPASS. To make a copy of the original sound recordings, enquire with RIPS. To make a copy of a literary work, enquire with CLASS [classy@singnet.com.sg].

    Scenario 3: If you publish copyright works:
    Your business publishes works with significant portions of other people's copyright works, for example assessment books with questions taken from other sources or graphics related books with photos taken by other photographers. Enquire with the owners of these copyright works.

    Scenario 4: If you are adapting a musical work:
    Your business may rearrange a musical work for use in advertisements or commercials. To obtain permission to adapt a musical work, enquire with MPS [info@mps.org.sg], or COMPASS.

    Scenario 5: If you organise concerts, events etc
    Your business organises events such as concerts, fun fair carnivals, weddings and so on. For the use of music, or music videos, enquire with COMPASS and RIPS [info@rips.com.sg], respectively.


  4. When is a licence not required?

    The Copyright Act provides for exceptions for "fair dealing" in the use of copyrighted works. The fair dealing exceptions can be found in section 35 to 40A of the Copyright Act (Cap. 63). When these exceptions apply, there is no need to obtain permission to use copyright works within the parameters of these exceptions. It is advisable to check with your own legal counsel about the applicability of these exceptions to your business.


  5. How do I obtain a licence to use the works?

    Since the collecting societies represent the copyright owners, you can approach any representative of the relevant collecting society for authorisation to use the works that they administer.

    But collecting societies do not administer all works, or all the rights in the works they administer. If the rights to works are not administered by a collecting society in Singapore (such as the rights to use a photograph, drawing, sculpture, etc), you will have to approach the copyright owner to get his/her permission to use the particular work in that particular manner. The names of the rights owner are often available on the work itself. If not, you could check with the provider of the work.

    For example, you have found a very interesting cartoon strip on a news portal and would like to include that as an illustration in your soon-to-be-published book. Look next to the © symbol on the cartoon strip which should indicate the author/owner. If that is not available, approach the news portal for rights information about the cartoon strip.


  6. Why do I sometimes have to approach more than one collecting society?

    Each collecting society is authorised by the rights owner to administer particular rights on his/her behalf. If your activity requires the use of several rights, you will need to approach the societies administering those rights. For example, if you make your own collection of songs for your CD and play it during a fun fair, you will need to obtain reproduction licences from RIPS [info@rips.com.sg], and MPS [info@mps.org.sg], to make your CD and a public performance licence from COMPASS to play the musical works publicly.


  7. How much would this cost?

    A Collecting Society will have a scale of fees which it will charge depending on the different use of the copyright works. For COMPASS, these fees are available on its website. MPS/RIPS licence fees are generally granted either on an annual basis or to cover 'one-off' single events. Usage which does not fall into the standard tariffs will be considered on a case-by-case basis. If you are using works that are not administered by collecting societies, you would have to approach the right owners themselves for permission. The right owners will determine how much they want to charge for a particular use of their works, if at all.


  8. What information do I need to provide to obtain a licence?

    For musical works and sound recordings, the usual information required by the collecting societies include: the title of the song, composer/lyricists and usage details. This information will allow the collecting society to determine if they could allow the use of the works. Copyright owners, as the creators of the works, are sometimes particular about what their creations are used for. For example, music publishers, in some instances, will need to seek approval from the songwriters and/or copyright owner of the music composition. The songwriter and/or copyright owner has the right to approve or deny the use of a music composition for various reasons. For example, in the case of TV commercial music usage request, some songwriters/copyright owner may not want to be associated with a certain product which could be against their personal values and/or beliefs. Hence requests could be denied. Sometimes, the music composition may have been licensed exclusively to another licensee and hence cannot be further licensed for any other use. For more info, pls see MPS website [MPS FAQ].

    For other copyright works, please provide sufficient information for the copyright owners to be able to identify the work and explain the manner of use. The collecting societies need the information as part of their service to help draft out a suitable licence that is adequate for your use. The information is also used to determine the appropriate rate for the licence. Collecting societies also need the information in order to distribute the royalties back to the correct rights owners (see section on What do collecting societies do with the money collected?).

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  9. How long would it take to get a licence?

    Depending on the nature of the licence application, the collecting societies could get back to you to clarify some details. Based on feedback by the collecting societies, the following is the estimated time lines for the various collecting societies to reply to your enquiry:
    COMPASS: 7-60 days
    MPS: 7-14 days
    RIPS: 7-14 days
    InnoForm Entertainment Pte Ltd:  7 working days

  10. What do collecting societies do with the money collected?

    Collecting societies are usually structured as non-profit entities. After deducting an administration fee, the rest of the amount collected is distributed back to the copyright owners. For ease of administration, the monies are distributed usually on a half yearly or yearly basis. Collecting societies have a distribution policy to determine how much money goes to which copyright owner, depending on how often the work was used. Thus a famous song played very frequently on the radio would earn the original composer more royalties.

    Some collecting societies follow the best practice of putting up a Code of Conduct for their operations. Some also upload their annual reports or yearbook to explain their operations to the public. For example you can access the COMPASS code of conduct and list of events.

    If you still need further clarification on the operations of collecting societies, you can contact them via their email links on this page.


  11. Why should I respect copyright?

    Authors, artists, musicians, playwrights, programmers and others involved in the copyright and related industries are creative professionals who bring us new songs, books, plays, films and other works. They invest time, intellectual and creative effort to make available to the public works of literature, music, art, software applications and so on.

    Copyright laws are in place to provide protection for such works, and to recognise the creators for their creative effort. They also provide incentives for them to continue creating.


  12. I want to respect copyright, and ensure that the creators get their due returns. But I am concerned with the rates and terms & conditions proposed. What can I do?

    The rates of copyright works usage and payment terms are private matters between users and the collecting societies acting on behalf of right owners. Collecting societies can sometimes offer fee-free licences for causes they find worthy to support. For example, some collecting societies have granted fee-free licences for the use of music in key charitable events.

    If you are concerned with the rates and/or terms of the licenses, you should contact the senior managers of CLASS [classy@singnet.com.sg], COMPASS, MPS [info@mps.org.sg], and RIPS [info@rips.com.sg].

    Singapore has also established a Copyright Tribunal empowered to resolve licensing disputes between copyright owners and users of copyright materials. Hearings by the Copyright Tribunal do not require you to engage a lawyer, although having legal advice could help in presenting your case to the Tribunal. Contact the Secretariat of the Copyright Tribunal for more information.

    In the event that the terms and conditions for licences with the rights owners could not be agreed upon, and the dispute falls within the purview of the Copyright Tribunal, the Copyright Tribunal could be an avenue to settle the concerns with the collecting society.

   
Top Last updated on 01 Sep 2008
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